RIO IPANEMA
console

Name: RIO IPANEMA | console
Brand: Roche Bobois

W. 150 x H. 78.5 x D. 40 cm

With its organic base, made entirely of solid wood, the Rio Ipanema collection by Bruno Moinard would blend perfectly with the mosaics of the Ipanema garden in Rio de Janeiro, created by Brazilian landscape architects, promoting the 'city nature' concept, which is entirely contemporary.
With its natural, organic lines and solid wood base, the Rio Ipanema console is a true sculpture that combines the generosity of the base with a tempered glass top that showcases the base. ...

Customisation

Console with base in defibrated solid oak (many stains available) and top in 15 mm-thick tempered glass.

Made in Europe

Download the technical sheet :

This product was identified as eco-designed by our qualitative assessment tool developed in collaboration with the CBAF. it has been positively evaluated according to 8 criteria corresponding to each stage of its life cycle Technological institute.

Designed by

Bruno Moinard

Bruno Moinard is an accomplished artist, working as a designer and interior designer, scenographer, painter and photographer. In 1979, he joined Andrée Putman and Ecart International, before founding his own architectural firm, 4BI, in 1995. His signature style is based on the affectionate integration of French Culture into his projects. For Roche Bobois, he designed the Paris Paname collection. Within one collection, two design languages combine: the first one speaks of volume and wooden textures, and the second is lighter and more geometrically-centered. The result is a cohesive collection that allows the combination of different forms and materials, mixing clean lines with sensual elegance. “I imagined pieces of furniture that you would never get tired of. Pieces that would stand the test of time. I wanted to give character and precision to shapes and materials inspired by the 1950s. I sought to create sensations without too much ostentation. This furniture collection is like a chameleon: it is both classic and modern, without overshadowing the volumes.”

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