RIO IPANEMA
small pedestal table

Name: RIO IPANEMA | small pedestal table
Brand: Roche Bobois

W. 42.7 x H. 60.5 x D. 35 cm

With its organic base, made entirely of solid wood, the Rio Ipanema collection by Bruno Moinard would blend perfectly with the mosaics of the Ipanema garden in Rio de Janeiro, created by Brazilian landscape architects, promoting the 'city nature' concept, which is entirely contemporary.
Raw materials, massive forms, and dark shades define these pedestals. Free from any embellishments, the brutalist trend from the 1950s to the 1980s makes a strong comeback in a more serene version. ...

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small pedestal table

Structure in solid smoked eucalyptus, with a base in oxidized bronze iron or Fer Noir 100 sanded base.

Made in Europe

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This product was identified as eco-designed by our qualitative assessment tool developed in collaboration with the CBAF. it has been positively evaluated according to 8 criteria corresponding to each stage of its life cycle Technological institute.

Designed by

Bruno Moinard

Bruno Moinard is an accomplished artist, working as a designer and interior designer, scenographer, painter and photographer. In 1979, he joined Andrée Putman and Ecart International, before founding his own architectural firm, 4BI, in 1995. His signature style is based on the affectionate integration of French Culture into his projects. For Roche Bobois, he designed the Paris Paname collection. Within one collection, two design languages combine: the first one speaks of volume and wooden textures, and the second is lighter and more geometrically-centered. The result is a cohesive collection that allows the combination of different forms and materials, mixing clean lines with sensual elegance. “I imagined pieces of furniture that you would never get tired of. Pieces that would stand the test of time. I wanted to give character and precision to shapes and materials inspired by the 1950s. I sought to create sensations without too much ostentation. This furniture collection is like a chameleon: it is both classic and modern, without overshadowing the volumes.”

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