RIO IPANEMA
Desk

Name: RIO IPANEMA | Desk
Brand: Roche Bobois

W. 147 x H. 75 x D. 72 cm

With its organic base, made entirely of solid wood, the Rio Ipanema collection by Bruno Moinard would blend perfectly with the mosaics of the Ipanema garden in Rio de Janeiro, created by Brazilian landscape architects, promoting the 'city nature' concept, which is entirely contemporary. ...

Customisation

Many other materials, colours and dimensions available in the showroom

Desk with a top made of oak-veneered medium-density fiberboard and Caresse 630 Acciacio leather surface, Top frame and base in solid Oak and oxidized Iron plates with patina or Fer Noir 100 sanded plates.

Made in Europe

Download the technical sheet :

This product was identified as eco-designed by our qualitative assessment tool developed in collaboration with the CBAF. it has been positively evaluated according to 8 criteria corresponding to each stage of its life cycle Technological institute.

Designed by

Bruno Moinard

Bruno Moinard is an accomplished artist, working as a designer and interior designer, scenographer, painter and photographer. In 1979, he joined Andrée Putman and Ecart International, before founding his own architectural firm, 4BI, in 1995. His signature style is based on the affectionate integration of French Culture into his projects. For Roche Bobois, he designed the Paris Paname collection. Within one collection, two design languages combine: the first one speaks of volume and wooden textures, and the second is lighter and more geometrically-centered. The result is a cohesive collection that allows the combination of different forms and materials, mixing clean lines with sensual elegance. “I imagined pieces of furniture that you would never get tired of. Pieces that would stand the test of time. I wanted to give character and precision to shapes and materials inspired by the 1950s. I sought to create sensations without too much ostentation. This furniture collection is like a chameleon: it is both classic and modern, without overshadowing the volumes.”

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